{"id":40652,"date":"2025-12-06T11:38:23","date_gmt":"2025-12-06T10:38:23","guid":{"rendered":"https:\/\/letempsmag.ma\/?p=40652"},"modified":"2025-12-06T11:38:23","modified_gmt":"2025-12-06T10:38:23","slug":"amoeba-ladolescence-comme-acte-de-resistance-entre-fantomes-et-gang-imaginaire","status":"publish","type":"post","link":"https:\/\/letempsmag.ma\/?p=40652","title":{"rendered":"\u00abAmoeba\u00bb, l\u2019adolescence comme acte de r\u00e9sistance, entre fant\u00f4mes et gang imaginaire"},"content":{"rendered":"\n<p>Pour sa 22<sup>\u00e8me<\/sup> \u00e9dition, le Festival International du Film de Marrakech accueille en comp\u00e9tition \u00abAmoeba\u00bb, premier long-m\u00e9trage singapourien de la r\u00e9alisatrice Siyou Tan. \u0152uvre audacieuse et profond\u00e9ment sensorielle, le film se d\u00e9ploie \u00e0 la fronti\u00e8re du fantastique et du r\u00e9alisme social, en explorant la fureur contenue de jeunes filles \u00e9touff\u00e9es par un syst\u00e8me scolaire rigide.<\/p>\n\n\n\n<p>Bas\u00e9e \u00e0 Los Angeles et d\u00e9j\u00e0 remarqu\u00e9e pour ses courts-m\u00e9trages pr\u00e9sent\u00e9s \u00e0 Cannes, Locarno, Berlin ou Toronto, Siyou Tan signe avec \u00abAmoeba\u00bb une entr\u00e9e remarqu\u00e9e dans le long format. Ancienne \u00e9l\u00e8ve de programmes prestigieux tels que Talents Tokyo et la Busan Film Academy, dipl\u00f4m\u00e9e de l\u2019American Film Institute, la cin\u00e9aste poursuit ici son regard aff\u00fbt\u00e9 sur la jeunesse, les identit\u00e9s mouvantes et les espaces o\u00f9 l\u2019imaginaire devient un mode de survie.<\/p>\n\n\n\n<p>Dans une Singapour disciplin\u00e9e \u00e0 l\u2019extr\u00eame, Choo (16 ans) revient malgr\u00e9 elle dans un lyc\u00e9e \u00e9litiste qu\u2019elle avait quitt\u00e9. Tr\u00e8s vite, ses micro-r\u00e9voltes attirent trois autres \u00e9l\u00e8ves rejet\u00e9es par l\u2019institution. Ensemble, elles forment une constellation de jeunes insurg\u00e9es silencieuses, unies par un secret&nbsp;: la pr\u00e9sence d\u2019un fant\u00f4me dans la chambre de Choo. Arm\u00e9es d\u2019un cam\u00e9scope, elles tentent de capter l\u2019invisible et rencontrent la figure inattendue d\u2019Oncle Phoon, un esprit bienveillant travers\u00e9 par la m\u00e9moire des Triades qui hantaient autrefois la ville coloniale.<\/p>\n\n\n\n<p>Nourries par ce pass\u00e9 clandestin, les quatre adolescentes d\u00e9cident de cr\u00e9er leur propre gang. Mais dans une cit\u00e9 o\u00f9 l\u2019ordre r\u00e8gne au point d\u2019interdire jusqu\u2019au chewing-gum, comment exister en marge&nbsp;?<\/p>\n\n\n\n<p>Port\u00e9 par les interpr\u00e9tations sensibles de Ranice Tay, Nicole Lee, Lim Shi-An et Genevieve Tan, le film navigue entre humour, m\u00e9lancolie et rites adolescents.&nbsp;<\/p>\n\n\n\n<p><strong>LAIDIA FAHIM\u00a0<\/strong><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pour sa 22\u00e8me \u00e9dition, le Festival International du Film de Marrakech accueille en comp\u00e9tition \u00abAmoeba\u00bb, premier long-m\u00e9trage singapourien de la r\u00e9alisatrice Siyou Tan. \u0152uvre audacieuse et profond\u00e9ment sensorielle, le film se d\u00e9ploie \u00e0 la fronti\u00e8re du fantastique et du r\u00e9alisme social, en explorant la fureur contenue de jeunes filles \u00e9touff\u00e9es par un syst\u00e8me scolaire rigide. &hellip;<\/p>\n","protected":false},"author":9,"featured_media":40639,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1587],"tags":[],"class_list":["post-40652","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fifm-2025"],"_links":{"self":[{"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/posts\/40652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=40652"}],"version-history":[{"count":1,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/posts\/40652\/revisions"}],"predecessor-version":[{"id":40653,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/posts\/40652\/revisions\/40653"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/media\/40639"}],"wp:attachment":[{"href":"https:\/\/letempsmag.ma\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=40652"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=40652"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=40652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}