Lahcen Zinoun, c\u00e9l\u00e8bre artiste polyvalent, chor\u00e9graphe, metteur en sc\u00e8ne et danseur \u00e9toile, vient de signer son livre autobiographique \u00abLe r\u00eave interdit\u00bb, paru aux \u00e9ditions \u00abMaha\u00bb, vendredi dernier \u00e0 Casablanca. Six chapitres composent l\u2019ouvrage : \u00abUne enfance entre idylle et contrainte\u00bb, \u00abL\u2019envol de l\u2019\u00e9toile\u00bb, \u00abLe retour entre esp\u00e9rance et d\u00e9ception\u00bb, \u00abL\u2019art absolument\u00bb, \u00abLe cin\u00e9ma, espace de libert\u00e9\u00bb et \u00abRevivifier les danses du Maroc\u00bb. L\u2019auteur y brosse une vie, une exp\u00e9rience mais surtout une aventure et explique : \u00abj\u2019\u00e9cris sur mon passage au Conservatoire, puis l\u2019int\u00e9gration d\u2019une compagnie professionnelle royale en Belgique et la troisi\u00e8me \u00e9tape est mon retour au Maroc o\u00f9 je me suis heurt\u00e9 au public, car nous n\u2019avons pas une culture de la danse classique. Par la suite, je me suis pench\u00e9 sur les danses du patrimoine qui \u00e9taient scl\u00e9ros\u00e9es\u00bb.<\/p>\n\n\n\n
N\u00e9 en 1944, Lahcen Zinoun a de nombreuses cordes \u00e0 son arc. Il est \u00e9galement peintre, sculpteur et po\u00e8te. Il a re\u00e7u le premier Prix de danse au Conservatoire Municipal de Casablanca en 1964. En 1991, il a r\u00e9alis\u00e9 son premier court-m\u00e9trage pour le spectacle \u00abFlagrant d\u00e9lire\u00bb pr\u00e9sent\u00e9 \u00e0 travers le Maroc. (Photo : Lib\u00e9ration).<\/p>\n\n\n\n
L. F.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Lahcen Zinoun, c\u00e9l\u00e8bre artiste polyvalent, chor\u00e9graphe, metteur en sc\u00e8ne et danseur \u00e9toile, vient de signer son livre autobiographique \u00abLe r\u00eave interdit\u00bb, paru aux \u00e9ditions \u00abMaha\u00bb, vendredi dernier \u00e0 Casablanca. Six chapitres composent l\u2019ouvrage : \u00abUne enfance entre idylle et contrainte\u00bb, \u00abL\u2019envol de l\u2019\u00e9toile\u00bb, \u00abLe retour entre esp\u00e9rance et d\u00e9ception\u00bb, \u00abL\u2019art absolument\u00bb, \u00abLe cin\u00e9ma, espace de libert\u00e9\u00bb …<\/p>\n","protected":false},"author":9,"featured_media":2275,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[149],"tags":[],"class_list":["post-2274","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art"],"_links":{"self":[{"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/posts\/2274","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2274"}],"version-history":[{"count":1,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/posts\/2274\/revisions"}],"predecessor-version":[{"id":2278,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/posts\/2274\/revisions\/2278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=\/wp\/v2\/media\/2275"}],"wp:attachment":[{"href":"https:\/\/letempsmag.ma\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2274"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2274"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letempsmag.ma\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2274"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}